This is equally true for CP series. My 2 big issues with the Mackies though are the weight (50lbs compard to QSC at 41lbs) and the casing is wood. Prices are per speaker, including VAT. Don't ever expect a 12" sub to sound the same as an 18" subs. That said, K and K.2 models a r e capable of p r oducing g r eater acoustic output than comparable CP series models. I took the CP speakers out on a couple of live gigs and used them on main and monitor duties. What is a "hybrid" audio interface anyway? I've used the Mackie 1501's, EV SBA-750's and 760's, B52 Act-18's, JBL PRX-518's and currently Dynacord 315's. CP8 $399, CP12 $499. For my final test I just had to try the little CP8 with a sub, and was more than impressed with what it achieved — way more than I had expected. Print Thread: Page 2 of 4 : 1: 2: 3: 4: Re: QSC K-Series vs. EV's Intended for sound reinforcement in entertainment applications including live performance, DJ and dance music, karaoke and event production, E Series loudspeakers will deliver outstanding results. I did take a quick look inside, by removing the pole sockets on the bottom of each speaker, and the integral cabinet bracing is evident, along with some neatly fitted acoustic wadding, substantial driver magnets and some very neat cabling. The rear control panel contains all the CP's I/O connections and controls, and is nicely recessed and protected by the contours of the enclosure. This one would be excellent for any DJ job, and my next-unit-but-one neighbours told me that they went home with 'Good Times' stuck firmly in their heads... Whilst messing about with EQ and boost combinations I noticed that toggling the mic boost on channel B muted the whole system for a (very short) time, even if there was material playing through channel A only. Enter the new QSC K.2 models. In s/w the QSC rep at the A.C. DJ Expo, he told me that the major advantage of the KW over the HPR was a much lighter birchwood as well as more current (and better) technology. AD-C.SUB - 6.5” ceiling subwoofer companion for any AD Series satellite enclosure AD-P.SAT - 2.75” small format, pendant satellite AD-P.SUB - 6.5” pendant subwoofer companion for any AD Series … The laws of physics are against you! I currently own several of the original K-series models, allowing me to do some basic side-by-side comparisons. To be honest i just dont like the look of the k series subs. We have 2 QSC K series manuals available for free PDF download: User Manual, Specification . The obvious differences between the two are all related to the LF driver size, and include physical dimensions and weight, the overall frequency response and the maximum SPL available. There are three inputs available, labelled as A, B and C. Inputs A and B are provided with combi XLR/TRS connectors and input C is a 3.5mm TRS jack socket intended for connection of stereo sources such as media players (these will be summed to mono before being routed to the power amp). QSC has designed exclusive DSP functions that greatly enhance the capabilities and performance of the K Series systems. Dec 3, 2020 Line extension adds 5.25” loudspeaker aligns small form factor with premium performance ideal for foreground & background applications Specifically the QSC K12 and the Mackie HD1221. Interestingly, the dividing wall between the speaker cab volume and the amp module is not simply part of the plastic enclosure but a neat punched‑metal panel, which I assume is to provide additional cooling — these units are convention-cooled and don't need a fan. My first test was to run some known programme music through the CP8 and CP12 in the workshop, and gain some initial impressions of how these boxes sound. However, other powered speakers in this price range (not an exhaustive list) include the E‑V ELX200 series, HK Audio Premium Pro range, the FBT EVO 2 Maxx, Yamaha DXR/DBR speakers and the RCF Art 700 series. The CP Series benefit from excellent quality build, are ergonomically very good and practical as portable powered speakers, and both models have ample power and make truly excellent monitors. You are using an out of date browser. Starting Out. DMT™ (Directivity-Matched Transition) ensures smooth coverage across the entire listening area. Which do you feel is a better system? The extra mic gain is applied by a single press of the Boost button, which toggles between mic and line settings and has an associated LED to indicate the current status. The QSC K.2 Series™ is quite simply, the next standard in powered loudspeakers. In fact, this catalog also includes the K Series M10 Mounting Eyebolt kit that's made specifically for suspending K8, 10, and 12 active loudspeakers. Used in this way, the powerful top end of the CP boxes really comes into its own, and I was disappointed not to have had an opportunity to use this setup live. I was told I could expect the KW-181's to start "trickling" into just 2 retail stores right around Columbus Day Weekend. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. The HPR series is no longer in production. The black metal grilles cover and protect the full face of the cabinets, and the moulded housing itself feels strong and doesn't have a tinny ring if you tap it. They quote the “K.2 amp has over twice the Peak power” compared to the current K Series. Using the Dance contour fattened out the LF and seemed to smooth out the mids somewhat. Weight-wise they are 13.7 and 9.5 kg respectively, and consequently easy to handle, if a little heavier than their appearance suggests due to what seems like a very solid build. I am going to look into the kw series and see how they compare in sound. The CP8 delivered a strong mid‑range, and I rolled off the top end to achieve a more mellow balance with my test tracks, then put it back in again with a live singer/guitarist who happened to be in the studio. To start, each model is equipped with a 2000-watt power module carefully matched to high-performance woofers and compression drivers. My search has not been working so i don't know if this was asked. 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